Notes-
Swiss Design/ The International typographic style-
IT IS MORE THAN JUST GRIDS! visual unity is achieved from a asymmetrical organization. it embraced objective photography. embarked the idea of san serif type, flush left/ rag right. WE see mathematical grids as the stereotype of swiss design. they thought that design should be socially useful. More important than the appearance is the attitude. it has it's roots in european modernism. Design as a socially useful and important activity. In 1950, Maxwell was invalid in creating his own school of design which existed till 1968 it was called "Ulm". They worked with one type face and used contrast as a visual elements.
((they introduced a study of semiotics. ))- important in slide.
Semiotics-
it's the philosophical theory of signs and symbols, what they mean in relationship to other things.There is no inherent or independent meaning. Get over it. it's broken down into three basic parts;
syntactis- order, (red followed by yellow followed by green)
semantics- meaning or refered to, (you should probaley slow down)
pragmatics- how it is used. (fire)
Armon Hoffman- he was born in 1920 and still alive. He designed the negative space and the rest will work . Joseph Muller Brockmann was looking for an absolute universal graphic expression. He embraced white space with his work and used his grid for a majority of his work.
Swiss Modernism VS NYC modernism-
Paul Rand, Saul Bass & Ivan Chermayeff
1940 begun ti see effects of Modernism in advertising
European theoretical-- NY, oragmatic
"The Big Idea"
Paul Rand embraced the ideas of European modernism, and was the creator of the magazine Decoded. it was a WWII of a present for christmas but is was a barb wire. the red confetti was really drops of blood. He also gave us the UPS logo. The work that he was doing was ripped and cut and paste with collages. In the "No Way Out" piece, he just had paper and put it together, Saul Bass also did this. His work has influenced everyone's sense.
Ivan Cherymayeff-
doesn't get much attention but his work is in everyday life daily. Luggage tags were collected by Cherymayeff and formed a new totalic. He does a large protion of his art work using symbiotic theory. He had dots and gave them meaning. He uses the cheapest material to create art that's reflected by the brains thoughts.
Post-modernism-
it's difficult to define. used to note a break with the earlier modernist principles by placing emphasis on form over function, by reinforcing traditional or classical elements, or by carrying modernists styles or practices to extremes.
Seen in Art, Design, Literature, and Architecture
Emphasis on feel rather than rationale
emphasis on surface, texture, and materials
self-consciousness or self reflecting
mixes high and low
historical reference
Vernacular
with Super graphics, people were taking big letterforms and colors and taking them places to reject the logic and just doing the texture.
in 1963, a type ceding exam for Wolfgang Vinegard, becomes a relevant figure and in 1968 he gets bored with international style things. soon he goes back to letter press and wonders what happens if he lets chaos into the letter press. he embraces chaos. He questioned the international style of design and was teacher in bosal. he influenced young students to take up this idea, He was saying "what if" but the problem was was it was easy to copy.
Personal Thoughts:
Class was entertaining. With the Martha Stewart reference in terms of modernism was hilarious. It was good to have a refresh on the type of work Memphis did since Contemporary Design. Paul Rand and Ivan Cherymayer's work with paper to test your mind with images used out of cheap garbage is what i tired to do last year and failed, so i have a lot of respect for them for pulling these art styles. I'm also trying to learn to embrace white space in my work like Armon Hoffman has done.
All these things they've done are more difficult than they seem and it's frustrating but interesting to think how their thought process went and what could they have done to improve on their original design. Modernism has changed a lot of things that almost anything theta might be done would seem to be copied. All and all, class never seems to bore me especially with the different types of ideas and art techniques artist pulled off in the past.
And Dorians ways of explaining the subjects swell.
Questions:
With all these changes with the Post Modernism era, were any older generation artist threatened by their work and did they find it difficult to keep up with and fall into obscurity?